I never feel “Waste not; want not” so keenly as when sewing with thread that I spun. When I sew with store-bought thread, I waste it all over the place. It’s cheap.
My linen thread has a cheap price tag, too. It comes with the fabric. But it costs time.
So I don’t waste an inch, because if I did I might be an inch short later and have to spin some more.
Handicrafts like this are humbling projects and give me great respect for my ancestors.
Here’s the tunic–only two more hems and the trimmings left!
Good Christian women cover their heads. Or at least they did in Europe for a lot of the Medieval period. Headgear is the first part of medieval garb to be neglected by “noobs,” simply because it isn’t very important in modern western culture.
I am guilty of this–also guilty of wearing renaissance-esque snoods with early period dresses. But I’m learning.
For my new garb, I made a white linen wimple.
After spending some hours on research and coming repeatedly across the answer that “We really don’t know how wimples worked, but they looked like this,” I settled on the “circle with a hole” design for my first wimple. I was inspired by this handy page tucked away on rosieandglenn.co.uk, which made it look simple enough for everyday wear. However, in my research I read that the headband or fillet was worn under (not over) the wimple, so I made that adjustment for myself.
Of course, in my haste, I broke one of my cardinal rules of garb-making. When cutting any hole for your head, always start too small and increase the size. Oops. But it still works despite its mammoth hole.
I spun my own thread (see my earlier post about that) to sew the hems. Perhaps with future wimples I’ll do something fancier than these little rolled hems.
And with a fillet made from a piece of my serpent tablet-weave belt (from yet another earlier post), I have a wimple!
We’ll see how it does on its maiden voyage next weekend. I shan’t be surprised if it does go sailing off my head once or twice. All in the name of science–I mean, reenactment–of course.